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| OWEN
LEONG |
| Born
in Sydney 1979 |
| Lives
and works in Melbourne, Australia |
| 2005 |
Master
of Fine Arts. College of Fine Arts UNSW |
| 2002 |
Bachelor of
Fine Arts (First Class Honours). College of Fine Arts UNSW |
| 2009 |
Owen Leong.
Über Gallery, Melbourne (forthcoming) |
| 2007 |
Owen
Leong. Ryan Renshaw, Brisbane |
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Owen Leong.
Mori Gallery, Sydney |
| 2006 |
Ghost Heart.
Chinese Arts Centre, Manchester |
| |
Owen Leong.
The Prism, Westpac Corporate Art Collection, Sydney |
| 2005 |
Autofiction.
Ivan Dougherty Gallery, Sydney |
| 2004 |
White Amnesia.
Sherman Artbox, Sherman Galleries, Sydney |
| |
Crisis Tendencies.
ROOM 35 / Gitte Weise Gallery, Sydney |
| 2003 |
Owen Leong.
Gallery 4a, Sydney |
| SELECTED GROUP
EXHIBITIONS |
| 2008 |
Bridge Art
Fair, Berlin |
| |
Reflecting
Skin. City Art Rooms, Auckland |
| |
Leading
Lights. Ivan Dougherty Gallery, Sydney |
| 2007 |
Soft
Power. Zendai Museum of Modern Art, Shanghai |
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Asian
Attitude: Transit Forces. National Museum of Poznan, Poland |
| |
I’ll
Be Your Mirror. Gallery Primo Alonso, London |
| |
Synthetic
/ Aesthetic. Asia-Australia Arts Centre, Sydney |
| |
Entanglement
(with Shoufay Derz). Westspace, Melbourne |
| |
Churchie
National Emerging Art Exhibition, Anglican Church Grammar School,
Brisbane |
| |
Blake
Prize. National Art School Gallery, Sydney |
| 2006 |
I’ll
Be Your Mirror. Liverpool Biennial Independents, Liverpool |
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Video Easy.
The Hart Center For Arts, Beijing |
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...becoming
as a hundred thousand. George Paton Gallery, Melbourne |
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Liquid Aesthetics.
2006 Midsumma Festival. BlackBox Arts Centre, Melbourne |
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Helen Lemprière
Traveling Art Scholarship Exhibition. Artspace, Sydney |
| 2005 |
Asian
Traffic. Esplanade Jendela Visual Art Space, Singapore; Today Art
Museum, Beijing; Zendai Museum of Modern Art, Shanghai; OCTA Museum
of Contemporary Art, Shenzhen; Hong Kong Arts Centre, Hong Kong |
| |
Contemporary
Collection Benefactors Art Auction. Art Gallery of New South Wales,
Sydney |
| |
Text Me: an
exploration of body language. Sherman Galleries, Sydney |
| |
Room 35 turns
8, Gitte Weise Gallery, Sydney |
| |
Prospectus:
projections in new media. Blankspace, Sydney |
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Helen Lemprière
Traveling Art Scholarship Award Exhibition. Artspace, Sydney |
| 2004 |
Asian
Traffic (curated by Binghui Huangfu). Asia-Australia Arts Centre,
Sydney (Official Parallel Event of the Biennale of Sydney) |
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Res Artis (with
Song Dong and Shen Shaomin). Artspace, Sydney |
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CCAS Contemporary
Art Award, Canberra Contemporary Art Space, Canberra |
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Nightvision
video projects. Asia-Australia Arts Centre, Sydney |
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New Q Cubed.
2004 Midsumma Festival. Counihan Gallery, Melbourne |
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Helen Lemprière
Traveling Art Scholarship Award Exhibition. Artspace, Sydney |
| 2008 |
Australia Council
New Work Grant |
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Ian Potter
Cultural Trust Grant |
| 2007 |
Art & Australia
/ ANZ Private Bank Contemporary Art Award (Highly Commended) |
| 2005 |
Australia
Council New Work Grant |
| 2003 |
Australian
Postgraduate Award |
| 1998 |
College of
Fine Arts Undergraduate Scholarship |
| 2008 |
Moya
Dyring Studio. Cité Internationale des Arts, Paris |
| 2006 |
Breathe
Artist Residency. Chinese Arts Centre, Manchester |
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Gunnery
Studios Residency. Artspace, Sydney |
| Stephen Grant
and Bridget Pirrie, Sydney |
| Private collections
in Australia, New Zealand and United Kingdom |
Felicity
Fenner. "Leading Lights", catalogue essay (November 2008):
22-23
Naomi Gall. "The Taste
of Race", Incubate Magazine, no.1 (Winter 2008): 52
Alan Cruickshank. "Asian Attitudes", Art & Australia,
volume 45, no.3 (Autumn 2008): 362-363
Uros Cvoro. “Owen Leong”, Art & Australia, volume
45, no.2 (Summer 2007): 288
Jason Lingard. "Owen
Leong", Nothing Mag, www.nothingmag.com, issue 16 (April
2007)
Margaret Mayhew. "Pink
Bits and Milky", Art and Mayhem, www.artandmayhem.blogspot.com
(5 March 2007)
Chris Long. "Man
of Milk and Honey", BBC Online UK (23 June 2006)
Barbara Bolt. “Queer
Spill”, RealTime, issue 72 (April/May 2006): 26
Annabel Pegus. “Unlimited Potential”, COFA Magazine,
Issue 15 (Summer 2006): 22
Prue Gibson. “Busy Benefactors”, Australian Art Collector,
issue 34 (October-December 2005): 94-95
Ella Barclay. “I
link, therefore I am”, RealTime, issue 66 (April/May 2005):
32
Danielle Johnson. “Text
Me”, catalogue essay (January 2005): 3
Gary Carsley. “Asian
Traffic”, Broadsheet, volume 33, no.4 (December 2004):
22-25
Felicity Fenner. “Shifting
Gears: Asian Traffic”, Artlink, volume 24, no.3 (December,
2004): 20-27
Lilly Wei. “South by Southeast”, Art in America (December
2004): 63
Aaron Seeto. “Flaccid momentums and tactical interventions”,
EastWest, issue 1 (September-November, 2004): 108-109
Joanna Mendelssohn. "Owen Leong", Tema Celeste (Italy),
issue 104 (July-August, 2004): 80
David Mills. "The Eyes Have It", blue, issue 51 (June-July,
2004): 6
Dominique Angeloro. “Owen Leong”, Metro – The
Sydney Morning Herald, (May 14, 2004): 27 |
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