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| OWEN
LEONG |
| Born
in Sydney 1979 |
| Lives
and works in Melbourne, Australia |
| 2005 |
Master
of Fine Arts. College of Fine Arts, University of New South Wales,
Sydney |
| 2002 |
Bachelor of
Fine Arts (First Class Honours). College of Fine Arts, University
of New South Wales, Sydney |
| 2012 |
Infiltrator.
Dianne Tanzer Gallery + Projects, Melbourne |
| |
Tidal Skin.
Nellie Castan Gallery, Melbourne |
| 2011 |
Infiltrator.
Grantpirrie Gallery, Sydney |
| 2010 |
Birthmark.
Anna Pappas Gallery, Melbourne |
| 2007 |
Owen
Leong. Ryan Renshaw, Brisbane |
| |
Owen Leong.
Mori Gallery, Sydney |
| 2006 |
Ghost Heart.
Chinese Arts Centre, Manchester |
| |
Owen Leong.
The Prism, Westpac Corporate Art Collection, Sydney |
| 2005 |
Autofiction.
Ivan Dougherty Gallery, Sydney |
| 2004 |
White Amnesia.
Sherman Galleries, Sydney |
| |
Crisis Tendencies.
ROOM 35, Gitte Weise Gallery, Sydney |
| 2003 |
Owen Leong.
Gallery 4a, Sydney |
| SELECTED GROUP
EXHIBITIONS |
| 2012 |
Chinese
Australia (curated by Venita Poblocki). Ausin Tung Gallery, Melbourne |
| 2011 |
Magic
Spaces (curated by Binghui Huangfu). Today Art Museum, Beijing |
| |
The Rest is
Silence. Death Be Kind, Melbourne |
| |
Night Vision.
4A Centre for Contemporary Asian Art at Grasshopper Bar, Sydney |
| 2010 |
Melbourne Art
Fair (with Anna Pappas Gallery), Melbourne |
| |
Group
Show, Anna Pappas Gallery at The Depot Gallery, Sydney |
| 2009 |
William
and Winifred Bowness Photography Prize. Monash Gallery of Art, Melbourne |
| |
NEXT Art Fair
(with Über Gallery), Chicago |
| |
Surveying the
Field. Counihan Gallery, Melbourne |
| 2008 |
Bridge Art
Fair (with City Art Rooms), Berlin |
| |
Reflecting
Skin. City Art Rooms, Auckland |
| |
Leading
Lights. Ivan Dougherty Gallery, Sydney |
| 2007 |
Soft
Power. Zendai Museum of Modern Art, Shanghai |
| |
Asian
Attitude: Transit Forces. National Museum of Poznan, Poland |
| |
I’ll
Be Your Mirror. Gallery Primo Alonso, London |
| |
Synthetic
/ Aesthetic. Asia-Australia Arts Centre, Sydney |
| |
Entanglement
(with Shoufay Derz). Westspace, Melbourne |
| |
Funeral Songs
(curated by Daniel Mudie Cunningham). MOP Projects, Sydney |
| |
Churchie
National Emerging Art Exhibition, Anglican Church Grammar School,
Brisbane |
| |
Blake
Prize. National Art School Gallery, Sydney |
| 2006 |
I’ll
Be Your Mirror. Liverpool Biennial Independents, Liverpool |
| |
Video Easy.
The Hart Center For Arts, Beijing |
| |
...becoming
as a hundred thousand. George Paton Gallery, Melbourne |
| |
Liquid Aesthetics.
2006 Midsumma Festival. BlackBox Arts Centre, Melbourne |
| |
Helen Lemprière
Traveling Art Scholarship Exhibition. Artspace, Sydney |
| 2005 |
Asian
Traffic. Esplanade Jendela Visual Art Space, Singapore; Today Art
Museum, Beijing; Zendai Museum of Modern Art, Shanghai; OCAT Contemporary
Art Terminal, Shenzhen; Hong Kong Arts Centre, Hong Kong |
| |
Contemporary
Collection Benefactors Art Auction. Art Gallery of New South Wales,
Sydney |
| |
Text Me: an
exploration of body language. Sherman Galleries, Sydney |
| |
Room 35 turns
8, Gitte Weise Gallery, Sydney |
| |
Prospectus:
projections in new media. Blankspace, Sydney |
| |
Helen Lemprière
Traveling Art Scholarship Award Exhibition. Artspace, Sydney |
| 2004 |
Asian
Traffic (curated by Binghui Huangfu). Asia-Australia Arts Centre,
Sydney (Official Parallel Event of the Biennale of Sydney) |
| |
Res Artis (with
Song Dong and Shen Shaomin). Artspace, Sydney |
| |
CCAS Contemporary
Art Award, Canberra Contemporary Art Space, Canberra |
| |
Nightvision
video projects. Asia-Australia Arts Centre, Sydney |
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New Q Cubed.
2004 Midsumma Festival. Counihan Gallery, Melbourne |
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Helen Lemprière
Traveling Art Scholarship Award Exhibition. Artspace, Sydney |
| 2009 |
Asialink Visual
Arts Residency |
| |
Art & Australia
Contemporary Art Award (Highly Commended) |
| |
William and
Winifred Bowness Photography Prize (People's Choice Award) |
| 2008 |
Australia Council
New Work Grant |
| |
Art Gallery
of NSW Moya Dyring Studio |
| |
Ian Potter
Cultural Trust Grant |
| 2007 |
Art & Australia
Contemporary Art Award (Highly Commended) |
| 2005 |
Australia
Council New Work Grant |
| 2003 |
Australian
Postgraduate Award |
| 1998 |
College of
Fine Arts Undergraduate Scholarship |
| 2009 |
Tokyo Wonder Site, Tokyo |
| 2008 |
Cité Internationale des Arts, Paris |
| 2006 |
Chinese Arts Centre, Manchester |
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Artspace
Visual Arts Centre, Sydney |
| Stephen Grant
and Bridget Pirrie Collection, Sydney |
| Private collections
in Australia, New Zealand and United Kingdom |
Carrie
Miller. "Changing with the Landscape", Australian Art
Collector, issue 59 (January-March 2012): 202-205
Bree Hadley. "Re-Constructing
Asianness in Australia: Yumi Umiumare, Owen Leong, and the Remobilisation
of Monstrosity", Liminalities: A Journal of Performance
Studies, volume 7, no. 3 (Autumn 2011)
Aaron Seeto. "Transcultural Radical", Artlink, volume
31, no. 1 (March 2011): 28-31
Christen Cornell. "Old Categories New Frameworks", Artlink,
volume 31, no.1 (March 2011): 24-27
Lian Low. "Interview
with Owen Leong", Peril Magazine, (20 June 2010)
Dan Rule. "Owen Leong:
Birthmark", A2 - The Age, (Saturday 22 May 2010): 18
Damian Smith. "Birthmark",
catalogue essay (April 2010)
Robert Nelson. 'Perpetual pirouette is a novel spin', The Age,
(22 July 2009): 14
Anna Edmundson. "But
where are you really from?: The crisis of multiculturalism examined
through the work of four Asian-Australian artists", Humanities
Research, volume XV, no. 2 (2009): 93-113
Felicity Fenner. "Leading Lights", catalogue essay (November
2008): 22-23
Francis Maravillas. "Constellations of the contemporary:
Art / Asia / Australia", Journal of Australian Studies, 1835-6419,
volume 32, issue 4, 2008: 433 – 444
Naomi Gall. "The Taste
of Race", Incubate Magazine, no.1 (Winter 2008): 52
Alan Cruickshank. "Asian Attitudes", Art & Australia,
volume 45, no. 3 (Autumn 2008): 362-363
Uros Cvoro. “Owen Leong”, Art & Australia, volume
45, no. 2 (Summer 2007): 288
Jason Lingard. "Owen Leong", Nothing Mag, www.nothingmag.com,
issue 16 (April 2007)
Margaret Mayhew. "Pink
Bits and Milky", Art and Mayhem, www.artandmayhem.blogspot.com
(5 March 2007)
Chris Long. "Man
of Milk and Honey", BBC Online UK (23 June 2006)
Barbara Bolt. “Queer
Spill”, RealTime, issue 72 (April/May 2006): 26
Annabel Pegus. “Unlimited
Potential”, COFA Magazine, Issue 15 (Summer 2006): 22
Prue Gibson. “Busy Benefactors”, Australian Art Collector,
issue 34 (October-December 2005): 94-95
Ella Barclay. “I
link, therefore I am”, RealTime, issue 66 (April/May
2005): 32
Danielle Johnson. “Text
Me”, catalogue essay (January 2005): 3
Gary Carsley. “Asian
Traffic”, Broadsheet, volume 33, no.4 (December 2004):
22-25
Felicity Fenner. “Shifting
Gears: Asian Traffic”, Artlink, volume 24, no. 3 (December,
2004): 20-27
Lilly Wei. “South by Southeast”, Art in America (December
2004): 63
Aaron Seeto. “Flaccid momentums and tactical interventions”,
EastWest, issue 1 (September-November, 2004): 108-109
Joanna Mendelssohn. "Owen Leong", Tema Celeste (Italy),
issue 104 (July-August, 2004): 80
David Mills. "The Eyes Have It", blue, issue 51 (June-July,
2004): 6
Dominique Angeloro. “Owen Leong”, Metro – The
Sydney Morning Herald, (May 14, 2004): 27 |
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